For April, 12 Bar Music and Social is proud to feature Shabaka’s debut solo album, ‘Perceive Its Beauty, Acknowledge Its Grace,’ as our Record of the Month. This album represents a bold new direction for the British jazz luminary, known for his electrifying saxophone performances with groups like Sons of Kemet and The Comet Is Coming. Here, Shabaka embraces the nuanced sounds of flutes and reeds, crafting a meditative and spiritually enriching experience.
An Evolution in Sound
Shabaka’s decision to set aside the saxophone and explore the tonal possibilities of the Japanese shakuhachi and the clarinet marks a significant shift in his musical journey. This transformation is more than just an instrumental change; it signifies a deeper exploration into creating music that fosters peace and contemplation. This album invites listeners into a serene, reflective space, echoing the spiritual depths of legendary artists such as Alice Coltrane and Pharoah Sanders.
A Rich Collaborative Effort
‘Perceive Its Beauty, Acknowledge Its Grace’ is a testament to Shabaka’s collaborative spirit, featuring a roster of distinguished guest artists including André 3000, Floating Points, and Moses Sumney. The album begins with “End of Innocence,” featuring Jason Moran on piano and Nasheet Waits on drums, establishing a foundation of reflective beauty that permeates the record. Shabaka’s clarinet weaves through the abstract textures, setting a contemplative tone.
On “Insecurities,” Moses Sumney’s ethereal, wordless vocals blend seamlessly with Shabaka’s flute, creating a hauntingly beautiful interplay. Similarly, “Kiss Me Before I Forget” highlights Lianne La Havas’s voice merging with Shabaka’s clarinet, resulting in a mesmerising fusion of sounds.
A Tranquil Odyssey
The album’s thoughtful sequencing guides listeners through a journey that shifts from abstract and spacious compositions to more rhythmic and lively pieces, and back to a state of calm. Tracks like “The Wounded Need to Be Replenished,” featuring Nduduzo Makhathini, and “As the Planets and the Stars Collapse” showcase Shabaka’s ability to create immersive, lush soundscapes. These pieces highlight his masterful integration of guest artists, ensuring that each contribution enriches the album’s overall narrative.
Poetic and vocal tracks add further layers of depth to the album. Saul Williams’ tranquil monologue on “Managing My Breath, What Fear Had Become” and Anum Iyapo’s heartfelt declamation on “Song of the Motherland” (referencing his own 1985 album) ground the album in themes of fear, courage, and rebirth. Meanwhile, “Body to Inhabit '' features Elucid’s sharp verses, complemented by harpist Brandee Younger and bassist Esperanza Spalding.
A Remarkable Debut
‘Perceive Its Beauty, Acknowledge Its Grace’ stands as a remarkable achievement for Shabaka. The album transcends the traditional boundaries of jazz, finding its place within a broader, genre-defying soundscape. Shabaka’s vision and the emotional depth of his playing leave a lasting impression, demonstrating that his music retains its powerful essence even without the iconic tenor saxophone.
This album is essential listening for those seeking a profound, reflective musical journey. Shabaka’s debut solo work is not just an album; it’s an invitation to perceive beauty and acknowledge grace in their most profound forms.
