{"title":"Erased Tapes","description":"\u003cp\u003eErased Tapes has spent close to two decades making the case that a piano and a room can be as expansive as any orchestra. Founded in Berlin by Robert Raths, the label brought Nils Frahm and Ólafur Arnalds to a wider audience and helped define what modern classical and ambient music sounds like now — intimate, unhurried, built as much from silence as from notes.\u003c\/p\u003e","products":[{"product_id":"alta-ripa","title":"Ben Lukas Boysen - Alta Ripa","description":"\u003cp\u003eBen Lukas Boysen’s new album, \u003cem\u003eAlta Ripa\u003c\/em\u003e, signifies a seismic shift in his artistic journey. It revisits the foundational impulses of his youth, shaped amidst the serene beauty of rural Germany—a bucolic backdrop where his creative palette flourished. However, it was his move to Berlin in the early 2000s that electrified his sound, infusing it with the city’s pulsating energy and diverse cultural influences. \u003cem\u003eAlta Ripa\u003c\/em\u003e captures this transformative experience, blending the introspective melodies of his rural beginnings with the bold, experimental tones born from Berlin’s vibrant electronic music scene. This album is a testament to Boysen’s evolution, showcasing how geographical shifts can profoundly shape artistic expression. \u003cbr\u003e \u003cbr\u003eBoysen’s fourth studio album under his own name, \u003cem\u003eAlta Ripa\u003c\/em\u003e is a nod to his beginnings as much as a hint to his future, and as a work, it’s almost contradictory in its boldness and humility. He invites the listener on a journey of self-discovery; both for himself and for them, describing the music as “\u003cem\u003esomething the 15-year-old in me would have liked to hear but only the grown-up version of myself can write.” \u003c\/em\u003e\u003cbr\u003e \u003cbr\u003eHis last two albums involved working closely with other musicians, including cellist Anne Müller, flugelhorn player Steffen Zimmer, and drummer Achim Färber. However, inspired in part by a recent return to live performance, \u003cem\u003eAlta Ripa\u003c\/em\u003e sees Boysen circling back to his passion for pure computer music.\u003cbr\u003e \u003cbr\u003eFor Boysen, the return to his youthful musical language marks a major turning point in his career. It represents a departure from his roots in classical music – his mother was an opera singer and his father an actor with an appreciation for Wagner, Arvo Pärt, Keith Jarrett, and Stockhausen. Although these are still important influences, \u003cem\u003eAlta Ripa\u003c\/em\u003e encapsulates a new, exploratory interplay between Boysen’s careful craft and his ability to let go of some of the process.\u003cbr\u003e \u003cbr\u003eThe album’s title comes from the original Roman name of the town that Boysen grew up in, Altrip, where he lived until his early twenties. This formative period is central to the ideas behind this album, from Boysen’s parental ‘schooling’ in classical music through to his sonic journeys through drum and bass, Aphex Twin, and Autechre — all of which changed his idea of what music could be. The extreme energy of tracks like ‘Acperience 1’ by Hardfloor, ‘Tracks \u0026amp; Fragment’ by Cari Lekebusch, ‘Focus2 Implan’ by Jiri.Ceiver, and ‘Low On Ice’ by Alec Empire are also pivotal influences.\u003cbr\u003e \u003cbr\u003eFor Boysen, this time of his musical development also involved knocking down the pillars that he previously thought had carried his world. A key moment for Boysen was being given a precious (pre-internet) club cassette at school that featured artists like Source Direct, Photek and Goldie. Excited by this new discovery, he introduced his father to the song ‘Dred Bass’ by Dead Dred. After the song finished, Boysen Sr. turned off the tape and proclaimed it was “the end of all music”. This heated exchange sparked a new, and more mature dialogue between the two that involved them sharing and discussing music on a regular basis. \u003cbr\u003e \u003cbr\u003eBoysen’s classical and jazz music upbringing might not be easily noticeable from the electronic palette that he uses. But it can be found in its bones; the structure of the tracks and their dynamic shifts. On \u003cem\u003eAlta Ripa\u003c\/em\u003e, he intentionally embraces a spirit of controlled chaos, churning out sonic ideas to see what sticks.\u003cbr\u003e\u003cbr\u003eOne of Brian Eno’s Oblique Strategy cards contains the phrase “gardening, not architecture”, and the trajectory of Boysen’s creative path reflects this metaphor. In much of his previous work he followed a sort of Brutalist architect’s approach; here, he was fully responsible for the tracks’ austere structures and planned them with deliberate care. But by sacrificing some of that control on \u003cem\u003eAlta Ripa\u003c\/em\u003e, he sets the right conditions for a dark and unpredictable, organic growth. It’s a push forward into a new world.\u003c\/p\u003e","brand":"ERASED TAPES","offers":[{"title":"LTD INDIE CLEAR VINYL","offer_id":49290574102796,"sku":"12B-00470","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/37f4acd11a541057a2e914e076795e1f.png?v=1724835950"},{"product_id":"olafur-arnalds-re-member","title":"Ólafur Arnalds - re:member","description":"\u003cp\u003eÓlafur Arnalds' 2018 album \u003cem\u003ere:member\u003c\/em\u003e is a fusion of contemporary classical, ambient and electronic music that showcases the Icelandic composer's unmistakable cinematic sound. Built using his self-playing Stratus piano system, it weaves delicate piano melodies, lush strings and subtle electronics into one of his most fully realised records.\u003c\/p\u003e\u003cp\u003eHighlights include \u003cem\u003eunfold\u003c\/em\u003e, \u003cem\u003esaman\u003c\/em\u003e and the title track \u003cem\u003ere:member\u003c\/em\u003e — deeply emotional yet beautifully understated. A natural next step for anyone who loves Nils Frahm, Max Richter or Hania Rani, it rewards both focused listening and quiet moments of reflection.\u003c\/p\u003e\u003cp\u003eWhether you're discovering Ólafur Arnalds for the first time or adding to an existing collection, \u003cem\u003ere:member\u003c\/em\u003e remains one of the standout records in modern contemporary classical — patient, cinematic, and built to be played on repeat.\u003c\/p\u003e","brand":"Mercury KX","offers":[{"title":"Default Title","offer_id":54849529151756,"sku":"6532386","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/172223-olafur-arnalds-remember.jpg?v=1782814714"},{"product_id":"immunity","title":"Jon Hopkins - Immunity","description":"\u003cp\u003eJon Hopkins' breakthrough record plays like a night out captured whole, from the first rush of the door to the walk home as the sun comes up. Immunity opens with pulsing, physical techno built for big rooms, tracks like 'Open Eye Signal' and 'Collider' stacking layer on layer until they feel almost overwhelming, before the album gradually unwinds into something far more intimate. By the closing title track, all that's left is a solo piano, tender and exposed after everything that came before it. It's this arc, from euphoric to deeply personal, that earned Immunity a Mercury Prize nomination and a lasting reputation as one of the finest electronic albums of its decade. Headphones recommended, but a proper turntable does it justice too.\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"12 Inch Record","offer_id":54855980253452,"sku":"12B-01425","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/3000x3000bb_d44d9ace-db64-425f-b54b-7268f7635d98.jpg?v=1785012488"},{"product_id":"spaces","title":"Nils Frahm - Spaces","description":"Spaces is Nils Frahm at his most unguarded, a live album stitched together from performances across roughly eighteen months on the road. Rather than polishing away the room noise, Frahm leans into it, you can hear chairs creak, audiences hold their breath, and his prepared piano and analogue synths breathe in real time.\n\n'Says' is the centrepiece, a slow-building sequence that grows from a single repeated phrase into something enormous, and it's become one of his most loved pieces precisely because you can hear it being discovered live rather than composed in a studio.\n\nA brilliant record for anyone who thinks 'ambient' means background music, this one demands your full attention. The intimacy of the recorded performances — the connection between Frahm and his audience — is palpable. This is music at its most human.\n\nFFO: Ólafur Arnalds, Hania Rani, Max Richter","brand":"Erased Tapes","offers":[{"title":"2xLPs","offer_id":54855980286220,"sku":"12B-00218","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/3000x3000bb_cdab64a5-8501-4be8-8a5b-4c59d9c04b53.jpg?v=1785012488"},{"product_id":"a-winged-victory-for-the-sullen-atomos-1","title":"A Winged Victory for the Sullen - Atomos","description":"\u003cp\u003eAtomos is the second album from Adam Wiltzie (also of Stars of the Lid) and Dustin O'Halloran's A Winged Victory for the Sullen, written at the invitation of choreographer Wayne McGregor after he heard how his dancers responded to their self-titled debut. The piece premiered at Sadler's Wells in 2013, and McGregor's interest in technology nudges the duo further into electronic territory than before, though the core is still drones, strings and Wiltzie and O'Halloran's shared instinct for patience.\u003c\/p\u003e\u003cp\u003eEleven pieces, none of them in a hurry, building from the barest piano notes into something genuinely overwhelming by the record's end.\u003c\/p\u003e\u003cp\u003eFor fans of: Max Richter, Ólafur Arnalds, Nils Frahm, Stars of the Lid.\u003c\/p\u003e","brand":"Erased Tapes","offers":[{"title":"2xLPs","offer_id":62023673282828,"sku":"12B-00213","price":26.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"rival-consoles-persona","title":"Rival Consoles - Persona","description":"Persona takes its name and some of its ideas from Ingmar Bergman's 1966 film of the same title, Ryan Lee West using the record to sit with the gap between how we see ourselves and how we're seen by everyone else. It's noticeably less dancefloor-facing than his other albums, built from crisp snares, ebbing synth chords and melodies that sound played rather than programmed, most tracks starting quiet and building with real patience.\n\nSeveral critics called it his best record on release, and it's easy to hear why — it's the album where the emotional and the technical sides of his music finally feel like the same thing. Each track rewards repeated listening, revealing new emotional textures and compositional details the more you sit with it. This is electronic music that feels genuinely human.\n\nFFO: Jon Hopkins, Nils Frahm, Max Cooper","brand":"Erased Tapes","offers":[{"title":"LP","offer_id":62023673315596,"sku":"12B-00235","price":27.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"masayoshi-fujita-bird-ambience","title":"Masayoshi Fujita - Bird Ambience","description":"Masayoshi Fujita is best known as a vibraphonist, but on Bird Ambience he makes what he's called a lateral leap to the marimba, which takes centre stage across the record alongside drums, percussion, synths and tape. It's the first time he's brought together the three separate strands of his work — his acoustic solo recordings, the electronic dub he makes as El Fog, and his free improvisations with contemporaries like Jan Jelinek — into a single record, recorded and mixed by Fujita himself in Berlin and Wiesbaden.\n\nThe result holds real tension between dissonance and stillness; by the final two tracks that tension has unwound into something closer to floating. Headphones essential. A stunning achievement in integrating acoustic and electronic sensibilities while maintaining genuine emotional depth.\n\nFFO: Rei Harakami, Nils Frahm, Hior Chronik","brand":"Erased Tapes","offers":[{"title":"LP","offer_id":62023673348364,"sku":"12B-00252","price":23.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"penguin-cafe-orchestra-union-cafe","title":"Penguin Cafe Orchestra - Union Cafe","description":"Union Cafe was Penguin Cafe Orchestra's fifth and final studio album, released in 1993, six years after Signs of Life and the last record the group made before founder Simon Jeffes' death in 1997. Jeffes, a classically trained guitarist and composer working in the same minimalist lineage as Philip Glass and Steve Reich, built the record around unusual, often self-built instrumentation, including the electric aeolian harp he designed with Geoffrey Richardson and Mike Lesser.\n\nIt's a strange, warm, endlessly inventive record — chamber music with a sense of humour, arrangements that feel like they could fall apart at any moment but never quite do. Every listen reveals new details: unexpected instrumental choices, subtle compositional flourishes, genuine emotional warmth beneath the experimental surface.\n\nErased Tapes gave it its first-ever vinyl pressing, long overdue for a record this loved and this influential on generations of contemporary classical and ambient musicians.\n\nFFO: Erik Satie, Michael Nyman, Motion Trio","brand":"Erased Tapes","offers":[{"title":"LP","offer_id":62023673381132,"sku":"12B-00254","price":23.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"rival-consoles-landscape-from-memory","title":"Rival Consoles - Landscape from Memory","description":"\u003cp\u003eLandscape From Memory is Ryan Lee West's ninth album as Rival Consoles, and by his own account the most personal — fourteen tracks, just under an hour, built out of discarded audio fragments and half-finished ideas that clicked back into place after a period of grief and creative frustration. Lead single Catherine sets the tone: haunted but genuinely joyful, club-ready without losing the intimacy that's always defined his work.\u003c\/p\u003e\u003cp\u003eThe record moves through real emotional terrain rather than just texture — the cinematic swirl of Nocturne, the euphoric release of the title track as closer — and it never sounds like it's reaching for a mood it hasn't earned. This indie-exclusive translucent vinyl edition released 4 July 2025.\u003c\/p\u003e\u003cp\u003eFor fans of: Jon Hopkins, Nils Frahm, Floating Points, Max Cooper, Daniel Avery.\u003c\/p\u003e","brand":"Erased Tapes","offers":[{"title":"2xLPs","offer_id":62023673413900,"sku":"12B-01464","price":29.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"tristan-perich-james-mcvinnie-infinity-gradient","title":"Tristan Perich \u0026 James McVinnie - Infinity Gradient","description":"Since 2012, Erased Tapes labelmates Ólafur Arnalds and Nils Frahm have spent long stretches of studio time together in Berlin and Reykjavík, mostly just improvising for their own amusement. Trance Frendz captures one of those sessions: recorded at Durton Studio in Berlin in a single eight-hour take, with no overdubs and no edits, while photographer Alexander Schneider documented the room.\n\nThat unpolished, real-time quality is the whole appeal — grand, droning crescendos crash and recede into delicate piano and swirling synth, the two players clearly listening and responding to each other rather than following a plan. It's a genuinely intimate record, closer to overhearing a private conversation than a studio album.\n\nThe chemical blend of Arnalds' classical sensibility and Frahm's electronic sophistication creates something that transcends both artists' individual works. Essential listening.\n\nFFO: Max Richter, Hania Rani, A Winged Victory for the Sullen, Jóhann Jóhannsson","brand":"Erased Tapes","offers":[{"title":"2xLP (COLOURED)","offer_id":62023673446668,"sku":"12B-01582","price":31.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"various-erased-tapes-15th-anniversary-compilation","title":"Various - Erased Tapes 15th Anniversary Compilation","description":"Erased Tapes 十五 marks fifteen years of the label with a two-hour, triple-vinyl cross-section of its catalogue — hidden gems, deep cuts and previously unreleased material rather than a simple singles collection. The tracklist runs from the Art Ensemble of Chicago (featuring Moor Mother) to Rival Consoles, Hatis Noit, Anne Müller, Lubomyr Melnyk, Peter Broderick and Roedelius, plus a Kiasmos remix of Ben Lukas Boysen's Clarion.\n\nRather than a greatest-hits, it plays like a genuinely curated survey of what's made this label distinctive — patient, classically-minded, quietly experimental, and never quite what you expect. Every artist represented here shares Erased Tapes' commitment to emotional honesty and compositional rigor.\n\nThis is the definitive Erased Tapes primer for newcomers and a rewarding deep-dive for longtime listeners. An essential document of contemporary classical and electronic music.\n\nFFO: Nils Frahm, Ólafur Arnalds, Kiasmos, A Winged Victory for the Sullen","brand":"Erased Tapes","offers":[{"title":"3xLP","offer_id":62023673479436,"sku":"12B-01584","price":35.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"kiasmos-ii-reworked","title":"Kiasmos - II Reworked","description":"Kiasmos's II Reworked takes their acclaimed 2017 second album and hands it to three separate teams of collaborators: Sigur Rós associate Alex Somers, the duo of Rachika Nayar and Nina Keith, and Icelandic pair Kjartan Holm and Sin Fang. Between them they pull tracks like Grown, Burst and Flown apart and rebuild them, trading the original's dancefloor pulse for something more textured and slow-release.\n\nIt's less a remix record than a genuine reinterpretation — Ólafur Arnalds and Janus Rasmussen's originals are recognisable throughout, but reshaped by hands that clearly know the material well. The creativity on display is remarkable; each remix brings fresh perspectives while honouring the essence of the originals.\n\nPerfect for listeners who love to hear familiar works reimagined through different artistic sensibilities.\n\nFFO: Bonobo, Jon Hopkins, Byetone, Rival Consoles","brand":"Erased Tapes","offers":[{"title":"2xLPs","offer_id":62023673512204,"sku":"12B-01783","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/kiasmos-ii-reworked-vinyl-lp-12-bar.jpg?v=1786211210"},{"product_id":"ben-lukas-boysen-gravity","title":"Ben Lukas Boysen - Gravity","description":"Ben Lukas Boysen grew up around music — his mother an opera singer, his father an actor with a taste for Wagner and Stockhausen — and trained classically on piano and guitar from the age of seven, before spending a decade making breakcore and ambient electronica as Hecq. Gravity, one of his first records under his own name, strips almost all of that history away: melancholic piano, warm analogue tape hiss and tender, understated drums, mixed and mastered by Nils Frahm, who also plays on one track.\n\nIt's a solitary, introverted record that never tips into melodrama — sad only if you let it be, and genuinely moving if you sit with it. The compositions are deceptively simple, working through repetition and small variations to build emotional resonance. Piano and space are the primary tools here; restraint is the philosophy.\n\nFFO: Max Richter, Nils Frahm, Sebastian Plano","brand":"Erased Tapes","offers":[{"title":"LP","offer_id":62023673544972,"sku":"12B-01784","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/ben-lukas-boysen-gravity-vinyl-lp-12-bar.jpg?v=1786211138"},{"product_id":"nils-frahm-screws-reworked","title":"Nils Frahm - Screws Reworked","description":"In late 2010, Nils Frahm broke his thumb after a fall and had four screws fitted to hold it together, then kept recording anyway, playing with nine fingers instead of ten. The result, Screws, became one of his most loved records — a set of unusually tender, slightly off-kilter piano pieces written around an injury rather than in spite of one.\n\nScrews Reworked pairs the originals with nine reinterpretations chosen by Frahm himself from hundreds of fan submissions, including a rework from Keith Kenniff (Helios). It's as much a portrait of Screws' reach as it is a new listen in its own right — proof of how far a record written one-handed, almost by accident, ended up travelling.\n\nThe creativity of the reinterpretations is remarkable; each brings its own perspective while maintaining the spirit of Frahm's originals. A beautiful testament to a record's enduring resonance.\n\nFFO: Ólafur Arnalds, Jon Hopkins, Kiasmos","brand":"Erased Tapes","offers":[{"title":"2xLPs","offer_id":62023673577740,"sku":"12B-01785","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/nils-frahm-screws-reworked-vinyl-lp-12-bar.jpg?v=1786211077"},{"product_id":"nils-frahm-all-encores","title":"Nils Frahm - All Encores","description":"Released for Piano Day 2019, All Encores gathers Nils Frahm's three Encores EPs into one 80-minute triple album, born from the same sessions as his 2018 record All Melody and reworked through months of touring. Encores 1 stays close to solo piano and harmonium, Encores 2 drifts into ambient territory, and Encores 3 pushes furthest into percussion and electronics — three distinct rooms in the same house.\n\nHeard together, it's a clear demonstration of how comfortably Frahm moves between miniature and monumental, plaintive piano pieces sitting easily alongside much broader electronic canvases. The evolution from sparse to fuller arrangements across the three EPs shows his range and versatility.\n\nThis is essential listening for anyone interested in the full spectrum of Frahm's compositional voice, from intimate solo performance to lush orchestral arrangement.\n\nFFO: Ólafur Arnalds, Hania Rani, Max Richter","brand":"Erased Tapes","offers":[{"title":"3xLP","offer_id":62023673610508,"sku":"12B-01786","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/nils-frahm-all-encores-vinyl-lp-12-bar.jpg?v=1786211007"},{"product_id":"kiasmos-kiasmos-10th-anniversary-edition","title":"Kiasmos - Kiasmos (10th Anniversary Edition)","description":"Kiasmos — the duo of Ólafur Arnalds and Faroese producer Janus Rasmussen — released their self-titled debut on Erased Tapes on 27 October 2014, and it's aged into a modern classic: deft, glacial minimal techno built out with a live drummer, string quartet and Arnalds' own piano, scoring 86 on Metacritic on release.\n\nThis 10th anniversary edition marks a decade of a record that still sounds like nothing else on the label — techno with a classical composer's sense of grandeur. The double transparent blue vinyl and slipmat make this a genuine collector's pressing, but the music is the real draw: warm, textured and as at home on a dancefloor as it is on headphones at 2am. Intellectual rigour meets genuine emotional warmth.\n\nFFO: Bonobo, Jon Hopkins, Rival Consoles, Byetone","brand":"Erased Tapes","offers":[{"title":"2xLP (COLOURED) + SLIPMAT","offer_id":62023673643276,"sku":"12B-01787","price":45.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/kiasmos-kiasmos-10th-anniversary-edition-vinyl-lp-12-bar.jpg?v=1786210386"},{"product_id":"olafur-arnalds-nils-frahm-trance-frendz","title":"Ólafur Arnalds \u0026 Nils Frahm - Trance Frendz","description":"\u003cp\u003eSince 2012, Erased Tapes labelmates Ólafur Arnalds and Nils Frahm have spent long stretches of studio time together in Berlin and Reykjavík, mostly just improvising for their own amusement. Trance Frendz captures one of those sessions: recorded at Durton Studio in Berlin in a single eight-hour take, with no overdubs and no edits, while photographer Alexander Schneider documented the room.\u003c\/p\u003e\n\u003cp\u003eThat unpolished, real-time quality is the whole appeal — grand, droning crescendos crash and recede into delicate piano and swirling synth, the two players clearly listening and responding to each other rather than following a plan. It's a genuinely intimate record, closer to overhearing a private conversation than a studio album.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor fans of:\u003c\/strong\u003e Max Richter, Hania Rani, A Winged Victory for the Sullen, Jóhann Jóhannsson.\u003c\/p\u003e","brand":"Erased Tapes","offers":[{"title":"LP","offer_id":62023673708812,"sku":"12B-01789","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/olafur-arnalds-nils-frahm-trance-frendz-vinyl-lp-12-bar.jpg?v=1786207090"},{"product_id":"nils-frahm-felt","title":"Nils Frahm - Felt","description":"Nils Frahm recorded Felt at night, in a Berlin apartment where he couldn't risk disturbing the neighbours, so he laid felt over the piano's hammers to mute it, then mic'd up the mechanics themselves — the pedals, the hammers, the wood of the instrument's own frame. Released on Erased Tapes in October 2011, it's the record that set the template for a decade of quiet, intimate piano records that followed, his own included.\n\nThe muting doesn't make it a quiet listen so much as an unusually close one — you can hear Frahm breathing, the piano creaking, the room itself. It builds from spare solo pieces into something far more orchestral by the record's end, and remains the best place to start with him. If you already know it, it rewards another listen: it's only grown in stature since 2011.\n\nFFO: Ólafur Arnalds, Hania Rani, Max Richter, Jóhann Jóhannsson","brand":"Erased Tapes","offers":[{"title":"LP","offer_id":62023673741580,"sku":"12B-01790","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/nils-frahm-felt-vinyl-lp-12-bar.jpg?v=1786207044"},{"product_id":"rival-consoles-overflow-coloured-edition","title":"Rival Consoles - Overflow","description":"This coloured vinyl pressing of Rival Consoles' Overflow started life as a commission — the score for a new dance work by choreographer Alexander Whitley, which premiered at Sadler's Wells in May 2021 alongside a moving light sculpture designed by Children of the Light.\n\nRyan Lee West built the record around what it means to live inside systems designed to track, sell and predict us, and the music carries that unease: tense, propulsive tracks like Monster and Pulses Of Information sit somewhere between the claustrophobia of his previous record Articulation and the more melodic moments of Persona. It's music built for movement first, and that shows — several tracks have real dancefloor potential even as the mood stays interior and a little paranoid.\n\nThe closer, Making Sense Of It All, is the release valve the record's been building toward the whole way through. A stunning synthesis of dance music and emotional depth.\n\nFFO: Jon Hopkins, Max Cooper, Nils Frahm, Floating Points","brand":"Erased Tapes","offers":[{"title":"2xLP (COLOURED)","offer_id":62023673774348,"sku":"12B-01791","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/4459\/3932\/files\/12-bar-rival-consoles-overflow-limited-edition-vinyl-lp.jpg?v=1786206975"}],"url":"https:\/\/12-bar.com\/collections\/erased-tapes.oembed","provider":"12 Bar Music and Social","version":"1.0","type":"link"}