SONY MUSIC CMG

The Stone Roses

£24.99
Format
Special Edition · Vinyl Longplay 33 1/3

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In 1989, an album emerged that would change the world: The Stone Roses' self-titled debut. This psychedelic dance extravaganza heralded the dawn of the Madchester era, characterized by baggy trousers, Kangol hats, and the legendary Hacienda nightclub. From the magnificent protracted opening of "I Wanna Be Adored" to the euphoric closing of "I Am the Resurrection," every note resonated with perfection.

Jon Squire's guitar work was nothing short of magical, establishing him as a new hero for a new age. Ian Brown's vocals were delivered with unbridled gusto, while the rhythm section embodied the essence of the second summer of love, laying down grooves that were both hypnotic and invigorating. This album wasn't just a collection of songs; it was a cultural phenomenon that captured the spirit of a generation.

"The Stone Roses" seamlessly blended the burgeoning psychedelic dance scene with rock, creating a sound that was both timeless and revolutionary. Each track, from the opening notes of "I Wanna Be Adored" to the infectious beats of "Fools Gold," showcased the band's unparalleled musical synergy and innovative spirit.

This debut album didn't just mark the rise of a band; it signaled a seismic shift in the musical landscape. The Stone Roses crafted an aural masterpiece that continues to inspire and influence, cementing their place in the pantheon of music legends.

Tracklist

I Wanna Be Adored
She Bangs The Drums
Waterfall
Don't Stop
Bye Bye Badman
Elizabeth My Dear
(Song For My) Sugar Spun Sister
Made Of Stone
Shoot You Down
This Is The One
I Am The Resurrection

Details

Format: Vinyl Longplay 33 1/3

Release Date: 2nd May 1989

Barcode: 0888430419919

Format

Why We Love It

The Stone Roses arrived sounding like the sixties and the acid house scene had somehow merged into one band, and the confidence of it is still startling. John Squire's guitar shimmers and swaggers in equal measure, Mani and Reni lock into grooves that suggest dance music without ever actually playing it, and Ian Brown sings like he already knows this record is going to matter. It set off Madchester and effectively wrote the rulebook for Britpop several years before the fact. Waterfall into Don't Stop remains one of the cleverest sequencing tricks in British album history.

Sam's Note

I Am The Resurrection closes this out better than almost any other album finale I can think of. Stick with it to the end.

Sounds Like

• The Verve
• Oasis
• Happy Mondays
• The Charlatans

Mood

• Swaggering
• Jangly
• Confident
• Euphoric

Perfect For

• Getting ready to go out
• Long drives
• Loud living-room listening

12 Bar Listening Guide

First Listen
Reveals More
Atmosphere
Originality

Why This Album Matters

Released in May 1989 on Silvertone and produced by John Leckie, this debut arrived quietly before growing into arguably the defining album of the Madchester scene, cementing the Stone Roses alongside Happy Mondays as figureheads of the era. Its blend of jangling, sixties-influenced guitar pop and the rhythmic sensibility of acid house effectively laid the groundwork for Britpop several years later, and it's now routinely ranked among the greatest British albums ever made, including topping NME's list of the 100 Greatest British Albums.

The Stone Roses formed in Manchester in 1983, going through several lineups and false starts before settling on the four-piece of Ian Brown, John Squire, Mani and Reni that recorded this debut. Fixtures of the Madchester scene alongside Happy Mondays, they became notorious for long gaps between records and a famously fractious relationship with their label, but their influence on the generation of British guitar bands that followed, particularly Oasis, has been immense.

The sixties and acid house merged into one band, with startling confidence.

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