Verve

Alice Coltrane - Journey in Satchidananda

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Title

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Alice Coltrane's fourth album, recorded at home in Dix Hills, New York in late 1970 with saxophonist Pharoah Sanders, bassists Cecil McBee and Charlie Haden, and drummer Rashied Ali. Harp, piano, tanpura and bells drift and circle rather than push forward – music built for meditation as much as listening. Originally issued on Impulse! in 1971; this is the 2023 Verve Acoustic Sounds Series pressing, remastered from the original analogue tapes onto 180g vinyl in a deluxe gatefold sleeve.

Tracklist

Side A
1. Journey in Satchidananda – 6:39
2. Shiva-Loka – 6:37
3. Stopover Bombay – 2:54

Side B
1. Something About John Coltrane – 9:44
2. Isis and Osiris – 11:49

Details

Release Date: 1st February 1971

Barcode: 0602448476357

Title

Why We Love It

Some records ask to be played loudly. This one asks you to sit down, breathe, and stay a while. Alice Coltrane made Journey in Satchidananda a year after her husband John's death, and you can hear that in every note — grief turned outward into something calm and expansive rather than heavy. Her harp shimmers over a tanpura drone, Pharoah Sanders' soprano sax curls round the melody like incense smoke, and nothing here is in a hurry to arrive anywhere. It isn't background music, even though it could pass for it — the more attention you give it, the more it gives back.

Sam's Note

I put this on most Sunday mornings before we open. Nobody's ever asked me to turn it off. I came to jazz through noisy, difficult records — this one taught me that stillness can hit just as hard. Give it the full 37 minutes if you can.

Sounds Like

• Pharoah Sanders – Karma
• John Coltrane – A Love Supreme
• Nala Sinephro – Endlessness
• Floating Points, Pharoah Sanders & the LSO – Promises

Mood

• Meditative
• Warm
• Spacious
• Devotional

Perfect For

• Sunday mornings
• Meditation or yoga
• Winding down late at night

12 Bar Listening Guide

First Listen
Reveals More
Atmosphere
Originality

Why This Album Matters

By 1971, Alice Coltrane had inherited John Coltrane's spiritual ambitions for jazz, and found her own language for them here. Named after her teacher, Swami Satchidananda, the album folds tanpura drones and Indian devotional music into Impulse!-era jazz, harp answering Pharoah Sanders' soprano sax rather than competing with it. It helped open American jazz to influences far beyond its borders and set a template ambient and spiritual jazz have returned to ever since. Rolling Stone later named it one of the 500 greatest albums ever made.

Alice Coltrane was a classically trained pianist and harpist who married John Coltrane in 1965 and played in his band during the last years of his life. After his death in 1967, grief and spiritual searching became inseparable from her music — she took up the harp, deepened her study of Indian philosophy, and began recording her own albums for Impulse!. Journey in Satchidananda, her fourth, sits at the point where all three of those threads meet. She later became a swami herself, running an ashram in California, and kept making music on her own terms until her death in 2007.

Grief turned into something you can breathe with, one harp note at a time.

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